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Passengers (2016)
The term mashup is not usually a compliment. It means mixing different genres in a way that looks interesting, gets a laugh, or makes a mess. It is unlikely the sci-fi rom-com melodrama Passengers (2016) intended to be a mashup but that is the result. If it stayed on-track as sci-fi, all the ingredients are present for an outstanding film but box-office considerations require a love story with a moral dilemma so the film ends up a mess.
We are aboard an intergalactic spacecraft for a 120-year voyage as part of a commercial outer-world migration venture. The ship’s set and digital effects are some of the best seen on film in years, conveying an enormity of scale and futuristic design that is mesmerising. Five thousand volunteers are ensconced in hibernation pods en route to capitalism’s version of eternal paradise when one traveller, mechanical engineer Jim Preston (Chris Pratt) is accidently awoken 90 years too soon. Travelling through space with every conceivable luxury at your fingertips, worry-free for the rest of your life, sounds appealing but the problem is that he gets lonely and conversation is very limited with an android bartender. After a year of flying solo he is on the verge of flushing himself into the cosmos, when suddenly he becomes obsessed with sleeping beauty Aurora Lane (Jennifer Lawrence) and believes he has found true love.
Of course true love is never that simple. He first must grapple with the moral horrors of his predicament: does let her sleep in peace for another 90 years so she can live in paradise with the 4,998 other passengers or does he do what the male species has been known to do sometimes and wake her up for some fun. The film trailers make the answer obvious, but when Aurora finds out that Jim was being selfish, she throws a galactic hissy-fit and the film turns into a domestic melodrama with more flashing stars inside than outside the ship. She refuses his every advance until the spaceship’s gizmos turn wobbly. Forget feminism: a girl needs a guy when things get tough…but let’s not go there.
All the potential evident in the early part of the film is frittered away in a silly ‘romance on the rocks’ space opera as it becomes a philosophical debate on which gender is capable of the greater quantum of selfishness. Pratt and Lawrence are really quite watchable in spite of the script, the filming is very entertaining, and the whole love scenario would have been interesting in someone’s earthly kitchen but not on the most advanced galactic odyssey ever undertaken. But if you enjoy turbulent romance in unusual places this is your film.
Director: Morten Tyldum
Stars: Chris Pratt, Jennifer Lawrence
I liked it a lot.
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I too found it entertaining for the most part. While my review may seem harsh, its because of the film’s inability to maintain what was a very strong opening sci-fi. Once the corny melodrama kicked in, the sci-fi disintergrated.
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Fair review and confirms my feelings that while not a priority will make for a diverting evening sometime.
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That just about sums it up nicely, thank you.
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I just stumbled across your review, via the Seniors Card e-newsletter. I saw this film recently with two grandchildren and was prompted to write a blog post comparing the scenario to the arrival of the First Fleet in Australia. I don’t wish to cross any boundaries by adding a link here. It’s call “Truth is Stranger Than Fiction” in case of interest. Anyway, as regards the film, like you, while I found the beginning entertaining enough, and very suitable for a cross-generational outing, it totally slipped into the “are you really going to go there?” category in the last half hour. And as for the moral dilemma issue, I didn’t want to enter into any discussion on that in my blog, even in jest.
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Lovely to hear from you Garrulous Gwendoline; its amazing how diverse paths cross in the blogosphere. Who would have thought anyone read the Seniors Newsletter (!). You have a great blogsite that I will follow. We seem to have similar life trajectories and I love meeting people who are locked in constant self-reinvention mode. We are all film directors shaping the story of our lives so if we dont get in and do it then film runs out and we go up in a puff of pixel dust.
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Thank you CineMuseFilms. I am following you too! Isn’t re-invention of self marvellous? Just when you think life has run its course . . . you turn around and create a new one. And the only reason I “read” (scanned) the newsletter was I am procrastinating on writing 1000 words on my embryonic novel today 🙂
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Ah…good old procrastination…where might we be without it?
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Agreed. Strong start, but I wasn’t expecting the love story to be so pronounced. Pretty average watch.
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Nice review I saw it but did not like that much so it didn’t end up on my site.
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I know what you mean; two different films in one disjointed package. In my case, I liked the first part – with some thoughtful things to say about the way we are – than the second part, which descended into space adventure cliches. The lowest point was when Pratt’s character protects himself from a nuclear reactor, on the point of explosion, with a door!
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Nice to hear from you spencerfeeney. The first part had me enthralled; the second, appalled. The swimming pool scene was definitely cool.
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I had such high hopes for this movie. I’m glad to hear it’s entertaining at least.
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I agree with you, so much potential that was was just frittered away. Whenever I did start to enjoy the film one of them would drop a clunky line or the pace would change and pull me out
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I can hardly wait to see this film; it stars two actors I enjoy watching. Too bad though about it not being just a serious science fiction film.
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It is a lost opportunity, especially as the set construction was amazing.
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This film derailed the moral issue so badly I figured it needed a better ending… so I wrote one.
https://moviecrypt.com/2017/03/19/scryptdoctoring-passengers/
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Passengers will always have a dark creepy place in my heart xD
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