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Loving (2016)
History is full of accidental heroes who stood at a time and place where something profound happened around them. This theme shines in Loving (2016), a film about a couple whose marriage was challenged in the USA Supreme Court in 1967. In one of the exquisite ironies of history, the couple’s surname was Loving and it was only love that kept them together while a slavery-era law tried to pull them apart.
In 1958, white construction worker Richard Loving (Joel Edgerton) and his black girlfriend Mildred Jeter (Ruth Negga) drove from Virginia to Washington so they could legally marry beyond the reach of their own State’s anti-mixed marriage laws. On return they were arrested like common criminals and given the option of a year in prison or 25 years of exile from Virginia. That was no choice for a couple expecting their first child. While in exile, Mildred is inspired by the black rights marches and writes to Attorney General Robert Kennedy who asks the American Civil Liberties Union to take up their case. Eleven years later, it reached the Supreme Court and history was made.
What makes this film outstanding is the way it blends a history lesson with the dramatization of the human effects of racist legislation. Neither the history nor the drama overwhelms the film. The period styling exudes authenticity and the acting performances are finely calibrated portraits of two humble people who became caught up in an era of profound social upheaval. While Richard is over-awed by the growing national attention to their case, Mildred understands her role in history and what she can do for all black people. Joel Edgerton is brilliant in playing surly mistrust of the legal system and is a steadfast protector of his wife. The beating heart of the film, however, is Ruth Negga’s performance. She consummately portrays the emotional highs and the lows, from the hope-filled blushing bride to the shattered prisoner of moral injustice, with an acting repertoire carried entirely by her huge expressive eyes.
This is a powerful film. It is not about heroes or villains, but ordinary people who played a small part in shaping a major turning point in history. To call it entertaining is not the right word. Rather it is an engaging, enlightening and worthwhile story about how a Loving couple changed history.
Director: Jeff Nichols
Stars: Joel Edgerton, Ruth Negga
A real Oscar performance by Negga!
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Agreed Christine. She is brilliant in this film.
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Great review, Richard. I look forward to watching it.
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I thought it was a gripping film: superb acting, very moving emotionally, at times it had the dramatic tension of an undercover agent thriller (will they be caught?). The race politics issue is still very relevant today, and it’s shocking that all this could happen in a “democratic” country like the U.S. as recently as 50 years ago.
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I agree with you totally Bernard; thanks for commenting.
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I’ll add it to my TBW list; mind you I’ll need to space it out as Denial and Jackie are both on there and I’m not sure too much thinking is good for my head…
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Great lineup TanGental; Jackie is superb and I’ll be posting on Denial shortly. Trust me; it is good for your head.
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hope so!!
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I was also glad to have seen this film. You are right, enjoy is not the right word. Very well done, and understated.
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Yes, it is understated. Its only towards the end that your realise the full importance of these two ordinary people.
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I saw the trailer on my way to Moonlight the other day. It certainly takes your breath away to see that kind of courage.
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Curiously, I dont think the director intended to portray courage as popularly understood. They are a type of anti-hero who shine through their dignity and willingness to endure trauma for the benefit of all. Thanks for commenting Lloyd.
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There’s moral courage, physical courage and emotional courage. Many don’t have all 3. I’ll see the film to find out but my impression from the trailer is those two had all 3. You’ve seen the film. Did you feel their lives were in danger at any point or that they were enduring a moral injustice with patience and fortitude? No doubt in my mind a black man marrying a white girl in that time and place would’ve justly feared a lynching.
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Good point Lloyd. Richard Loving is portrayed as a simple man who does not spend much high-level thinking on the issues other than to protect his marriage and his freedom, while Mildred is the spirited idealist who wanted justice. To me, their courage was in giving up their privacy and becoming national beacons for law reform. History was made around them, rather than they shaping history.
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Loving the person you love, taking care of your own, coveting your personal freedom. What a higher level thinking is there than that? Forgive me, I understand your point exactly but I couldn’t help but reflect on that.
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I suspect we are sharing views across different layers rather than in conflict. Loving is a political history essay that is humanised by its focus on two people who could have easily chosen to invalidate their marriage and have quieter lives, but instead chose the harder path of seeking justice. I’m not persuaded that love equals courage in this story. Many victims of history have loved and been crushed. Richard is portrayed as a survivor but Mildred thinks well beyond their circumstances. PS: Thank you for this enjoyable conversation – cheers, Richard
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I’ll be honest…I was not crazy about this film. I thought the film makers did not set sufficient context at the beginning. Yes, we see that Richard Loving freely socializes with African-American friends and colleagues. But I was surprised that Richard and Mildred are so casual about getting married, with really no input from friends or family. You have to understand that my family came from Mississippi, and there would have been much more strenuous objections to such a marriage in that part of the South. I did a little research and found a 2011 documentary, “The Loving Story,” which thoroughly explains the social demographics in the Virginia county where the Lovings resided. Also, the documentary showed the Lovings to be more actively involved in the legal proceedings of their case than depicted in “Loving.” I preferred the documentary to the full-length movie.
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Interesting comments, thank you.
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I’ll add it to my TBW list; mind you I’ll need to space it out as Denial and Jackie are both on there and I’m not sure too much thinking is good for my head… I’ll see the film to find out but my impression from the trailer is those two had all 3.
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Thats a fine list of viewings I’m sure you will enjoy.
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