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The Kindergarten Teacher (2018)
One of the holy grails of film is openness to varied interpretation. Despite its implied narrative unity, The Kindergarten Teacher (2017)is as open-ended as they come. What appears to be a predictable story of a bored 40-something teacher looking for self-actualisation slowly takes on dark themes of psycho-sexual obsession and acts of criminality.
Deep in a marital and career rut, kindergarten teacher Lisa Spinelli (Maggie Gyllenhaal) craves more than life has offered. Her teenage kids prefer social media than listening to her admonishments and her tolerant husband Grant (Michael Chernus) cannot understand why she is so restless. To ease her sexual and career frustration, Lisa attends an evening poetry class to immerse herself in literary beauty, hoping to become a writer despite a paucity of talent.
Her dreams are answered in the strangest of ways. One day in kindergarten, she overhears five-year old Jimmy (Parker Sevak) spontaneously create a short poem. To Lisa, this is an epiphany: if she cannot find great writing within, then her gift is to recognise such prodigious talent. She plagiarises Jimmy’s poem and her evening class and teacher are impressed. Believing that only she can save Jimmy’s talent from obscurity, she becomes obsessed with the boy and ingratiates herself into his broken family life.
This storyline description does not come close to capturing how disturbing Lisa’s behaviour becomes. Today’s global awareness of child abuse has rewritten the rules of how an adult can relate to a child. At first imperceptibly then manifestly obvious, Lisa bends then breaks all the rules for child contact. Her physical touch, excessive attention, and taking him where others cannot see, gradually dial-ups audience levels of discomfort. When Jimmy’s father withdraws him from the kindergarten because of Lisa’s behaviour, her complete breakdown and subsequent responses make it impossible to predict where her obsession might lead.
There are many horror and thriller films that pale alongside The Kindergarten Teacher: it is a superb example of how less can be more in filmmaking. Reliance on ambiguity and audience imagination creates a tense psycho-drama on the nature of psychotic obsession. Maggie Gyllenhaal gives an extraordinary yet understated performance; she dominates every scene and exudes normality with just a hint of madness. Young Parker Sevak is amazing in his innocence and bewilderment over the fuss he seems to cause. Tight direction keeps the narrative moving forward with well-measured escalating tension until we cannot even guess what will happen next in this low-key but highly disturbing film.
2018 Sydney Film Festival
Director: Sara Colangelo
Stars: Maggie Gyllenhaal , Parker Sevak, Michael Chernus
I’m interested!
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I look forward to seeing this version – an English language remake of Israeli film of the same name, directed by Nadav Lapid.
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You are welcome to return with your opinion after seeing it Keith.
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I would see this just for Maggie Gyllenhaal.
BTW, look for The Guardians. French film about WWI, the women who must make do with the men all off fighting, love, struggle, betrayal, very little dialogue but so much depth.
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Thanks for the tip; I shall look for it.
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Hi Richard. I’ve just watched this film on DVD. I’ve been waiting a long time for it to be released for hire as it had a very short run on the big screen, if at all. Maybe selected for a film festival?
The kindergarten teacher’s obsession with her young charge was decidedly creepy. I became more uncomfortable with every minute of running time and viewed the film as an interesting psychological study of someone who crossed the boundaries of what’s acceptable behaviour into the realms of stalking. When the subject of the stalking is a five year old child, we entered bizarre territory.
Fascinating and discomforting. What was going on in her mind? I’d love to have the insights of a clinician in the field.
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In addition to the themes you mention, it is a commentary on Russian culture and tolerance for moral corruption.
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I have a feeling we may be talking about a different film. I was puzzled by your reply and thought, ‘Russian corruption? What Russian corruption?’ Then I remembered the film, The Teacher, where the teacher allowed herself to be bribed, finally demanding bribes. Is this right, or am I missing something from The Kindergarten Teacher?
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LOL; you are right and I am wrong.
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Ha ha ha! This is not the way it happens most of the time. I’m usually wrong.
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