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A Monster Calls (2016)
Don’t be fooled: it may be labelled a fantasy but the content of A Monster Calls (2016) is brutally realistic. And ignore the trailer: it does not come remotely close to describing a story of the horrors inside a young boy’s mind as he helplessly watches his mother deal with terminal illness. Too bleak for young audiences and mislabelled for those older, it is one of the most gut-wrenching films this writer has seen in a long while.
There are two closely interwoven storylines at play: one is a magical fantasy, the other a tragic drama. Thirteen-year old Conor (Lewis MacDougall) is withdrawn and bullied at school as he experiences raging frustration over his mother’s (Felicity Jones) worsening illness. Each time the hospital unsuccessfully tries a new treatment his hopes are dashed. He has fits of destruction and is desperate to understand what the grown-ups are keeping from him. He hates living with his strict grandmother (Sigourney Weaver) and his remarried father (Toby Kebbell) leaves him feeling even more abandoned. Nothing can break Conor’s cycle of despair and time is running out. Drawing deep from his young sub-conscious memory, he reconstructs a monster story told long ago by his mother, one that empowers his desperate search for a happy ending. Her long-forgotten painting of a magic yew tree like the one outside his bedroom becomes his psychological crutch and he fantasises it as a powerful magical sage that can cure her illness. The tree comes to life with destructive menace to others but kindness towards Conor as it tries to teach acceptance of things that cannot be changed.
The brilliance of this film lies in the way that story unfolds not just from Conor’s point of view but from deep inside his turbulent mind. Conventional cinematography and narrative structures position us where the director wants us, but this film goes much further. Through the sincerity and emotive power of the amazing young Lewis MacDougall, we viscerally feel what he is feeling. While we see magical happenings on screen, the role of monster and magic in this narrative is entirely cathartic. Some viewers may need a degree of forgiveness for the unimaginative CGI tree monster and its magical doings. The sinewy hyper-masculine beast with lights flashing from every crevice might startle ten-year olds but it is a tame cliché for older viewers. Some of its dialogue sounds preachy like “heroes don’t always win” and its make-believe destructiveness can be repetitive. But these are minor distractions compared to the emotional punch this film can deliver.
Conversations about death and grief are difficult at any age. From the outset, the film’s narrator explains that Conor is somewhere between boy and man. By the end of his sad journey, he has grown emotionally and learnt about letting go. Much more than just entertainment, this sensitive coming of age tale is an honest conversation about some of the most complex feelings a human can ever experience.
Director: J.A. Bayona
Stars: Lewis MacDougall, Felicity Jones, Sigourney Weaver, Toby Kebbell
A UK, Spain, & USA production
I’m glad you approved, Richard. I’ve been curious about this one but wasn’t sure if and when I’d rent it.
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The way it is marketed would make many movie buffs hesitate; it is so much more than what it seems.
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Great review! I really want to see this but I know it’s going to break my heart. It seems like one of those movies you need to be in the right kind of mood for!
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Interesting comment. I went in with very low expectations, thinking along the lines of a Disney fantasy and definately not in the mood for crying. Ran out of tissues so early.
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I’m so lucky I found this review, before reading it I had a totally wrong view of what the movie could be, thank you for sharing!
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I’m glad you have joined the conversation daboogieblog. Its easy to misread the message with this one.
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Thankfully to your great article, I know now!
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Very interesting review. It is further interesting to note that the Yew tree is highly symbolic in early folklore, connoting death, rebirth, and elements of eternal life. Thanks for putting this film on my radar.
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It is also known as a source of certain anti-cancer agents that are still used today. Hope you get to see this unusual film.
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I finally got around to seeing this film. My God, it was good. I may be still caught up in the emotion of it, but I’d give it a solid 5. 😉 I would never have watched this without having read your review of it. As a matter of fact, when the DVD finally showed up in my mailbox, I wondered what I’d been thinking when I’d ordered it.
The film deals with death and letting go in such a wonderfully adult and reasoned way. I know many adults who can’t even part with their pets because they haven’t learned the lessons portrayed in this film.
Thanks for turning me onto this one!
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So glad you saw it and thank for the comment. One of the reasons I write reviews is that I have a poor memory. When I review a film I own the memory in a way not possible otherwise. So I re-read my review of A Monster Calls and sure enough, memories came back and tears flowed.
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I understand having to read your own work to remind yourself about what you’ve seen and how it effected you. I do that a lot for books, using Goodreads to track my reads.
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